How to Say Nothing Poorly

POTD: Better Days

Mom at Belmont Mildred Blackwood Louisville, Kentucky 2012

momdad2Mildred and Wallace Blackwood near Roosevelt, Oklahoma 2000

Mom and Cleo TubingMildred Blackwood and Cleo Blackwood (sister-in-law) Evergreen, Colorado late 1960s

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How to Say Nothing Poorly

There’s a lot of really bad art-speak out there and I usually just ignore it, not wanting to make light of someone’s serious effort to, well, sound serious. But it’s 3:00 a.m. and I can’t sleep and it’s put me in an ornery mood so I’m posting this description of an upcoming photography exhibit at a well-known venue that will remain nameless. I’ve also changed the name of the photographer because I don’t want to denigrate any specific person, just this strange genre of writing that is far too common. Otherwise though, it is a direct quote:

Traditionally, photographs are thought of as mechanisms, which we use to capture or make visible a moment in time, creating a moment in an experience that becomes static, held as a marker of that experience. Essentially photography assists us in representing and/or communicating, our understanding of reality and experience. These images, caught in a single moment in time, open a doorway that allows the viewer to travel into the experience. The really great photographs transcend the moment captured and evoke a response that allows any of us the possibility to glimpse some insight into the mysteries that life holds. Smith’s intention as a photographer is to make visible those aspects of our multi-faceted lives that include some of the mysteries that are often hidden to our eyes.
His work as an artist leaves non-linear traces and examples of his memories, thoughts and experiences. Smith’s approach collapses the linear sequence that our cognitive mind perceives as time, attempting in some small way to capture both the depth and richness of these experiences that make up a single life. Like other artists, this body of work reflects the offering made to invite the viewer to explore the complexities of reality, not simply as he might understand that, but as it speaks to, challenges or informs how you might understand that.

Most of this come across as nonsense to me, a randomly arranged sequence of buzz words and catch phrases tenuously strung together with questionable grammar. Here’s the sum total of what I learned from reading this exhibit description: this photographer takes photos. If you are more versed in art-speak than I am, perhaps you can provide a more detailed translation into common English.

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