POTD: Act of Valor #3
Act of Valor #3
Anaconda, Montana
2012
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Act of Valor #3
Anaconda, Montana
2012
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Act of Valor #2 Anaconda, Montana 2012
This one could have been included in my Patriot’s Dream series. There are other flag images in this Anaconda series as well, and there was no shortage of them in town to photograph. In times of stress, economic or otherwise, do people rely on their patriotism for comfort much the same way they do their religion?
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Act of Valor Anaconda, Montana 2012
There are still more images to go in the Measures of Anonymity collection from Denver but I’ve decided to pause that series for a while in favor of this one that I somehow ended up working on instead. This series is from the town of Anaconda, Montana. Anaconda was a mining town developed in 1883 around a smelter built to process the ore from the copper mines down the road in Butte. Originally it was to be named Copperopolis but perhaps strangely enough that name had already been taken, so it became Anaconda at the suggestion of the postmaster. The town thrived until the smelter was closed in 1980. Since then it has struggled economically to survive. The locals may object to the description, but it has a bit the proverbial “town that forgot to die” look about it. Besides being in color instead of black and white, this series is an interesting contrast to Measures of Anonymity. With a totally different look to the buildings and surroundings it presents another view of anonymity, solitude, and loneliness in an urban industrialized environment. Why the name Act of Valor? Because it perhaps takes an act of valor for a town and it’s people to try and stay viable when the economic rug is pulled out from under them–and also because Act of Valor was the name of the movie playing at the Washoe Theater the day I was there. (The title is on the marquee in the photo but it’s too small to read when published at this blog size.)]]>POTD: Act of Valor #1 Read More »
Utah Arts Festival. It was perfect weather for an outdoor art show, with a high of 78 degrees. Too bad today was only set-up day. The actual show starts tomorrow and runs through Sunday and each of those four days promises to be in the high 90s. No rain in sight though so there is that. ]]>
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Measures of Anonymity #13 Denver, Colorado 2012
A corner shot of a parking garage.
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Measures of Anonymity #12 Denver, Colorado 2012
This is about the most sterile looking apartment complex I think I’ve seen. But it’s clean and well kept up.
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Elevations exhibit at the Hockaday Museum of Art in Kalispell. Brian Ekland, most excellent Communications Director at the museum was kind enough to send me some photos from the event which I am finally getting around to posting. This first shot, taken during my gallery talk, shows the innovative way in which Elizabeth Moss, Executive Director of the museum, dealt with having more images than space for a simple horizontal display of the work; in a couple of places she hung them three high, a perfect arrangement photos of tall structures like these.
(photo courtesy of Brian Ekland)
I like this next shot, also taken during the gallery talk, because not only does it make me look like I might know what I’m talking about but the two ladies in the background are actually taking notes like what I was saying was important! The ladies were both docents at the museum and I was impressed with how much interest they take in their jobs, learning as much as they can about the exhibit so they can explain it to visitors.
(photo courtesy of Brian Ekland)
Finally, what reception would be complete without an impromptu fashion show? Here Connie (a.k.a. the fashion queen) and two like-minded new friends pose for a shoe shot.

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Measures of Anonymity #11 Denver, Colorado 2012
Some real signs of life here, and some individuality as well.
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The Artist’s Lament
Denver, Colorado
2012
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Measures of Anonymity #10 Denver, Colorado 2012
When I lived in an old adobe house in Tucson too many decades ago, I made my own adobe bricks when I decided to enclose the patio. This building facade reminds me of the repetitive pattern of the mold I used to form the bricks. It also brings to mind rows on rows of jail cells in some massive surreal prison–probably not the effect the architect was going for. I note some expression of individuality though; some of the curtains in the windows are open.]]>POTD: Measures of Anonymity #10 Read More »