POTD: Measures of Anonymity #9

Measures of Anonymity #9 Denver, Colorado 2012

There is a hint of individuality in this image; at least that’s the way I interpret the row of smaller windows down towards the bottom of the photo. It suggests that not everything or everybody inside the building is totally uniform, locked into the grid. Still it’s a bit of a depressing shot, in the same way that a jail cell door is depressing. This is also another image that, unless you know what it actually is, can be confusing because of the scale (or lack thereof). Is it a building, or a small lattice of some sort?]]>

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The Visitor

The Visitor Bozeman, Montana 2012

This cinnamon colored black bear stopped by the pond at our house for a dip a couple of days ago. He was obviously there just to play around. He swam back and forth for a while, rolled on his back and put all four feet in the air (yeah, I know, I should have been taking pictures of that but I was too busy gawking I guess), and then played with a bale of barley straw we’d put in the pond to control algae like it was a beach ball). My good camera was in my studio in a separate building. I might have gone to get it but I didn’t want to scare him away, although that might not have been likely as I believe it was the same bear who broke into our neighbors house and was chowing down in their kitchen–and continued to do so after they came home and tried to scare him away. So, I had to take this photo with my cell phone.]]>

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POTD: Measures of Anonymity #1

Measures of Anonymity #1 Denver, Colorado 2012

While in Denver I was having fun adding to my Gridlock series of photos of regular grids on buildings when I became intrigued with the thought that these regular patterns could be interpreted as metaphors for anonymity in the city. The massive number of boxes in the grids reflect the number of lives that are carried out behind them while their sameness represents the fact that we know essentially nothing about these individuals. From the viewer’s standpoint anyway these lives are carried out in obscurity or anonymity. So I’ve renamed the series and will be expanding its scope to include varying degrees of uniformity in the building patterns and also glimpses of individuality that impose themselves on the grids.]]>

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