POTD: Sand Spectrum

Sand Spectrum
Seal Rocks, Oregon
2023

Water from inland sources moving across a beach often form interesting patterns in the sand. Generally they are mostly monochrome in nature. This particular instance was anything but however, easily displaying the most color of any I’ve seen. What the color was due to I don’t have a clue. I would be inclined to think it resulted from some sort of industrial pollution except that Seal Rocks is not near anything like that that I am a ware of. So I’d have to chalk it up to Mother Nature somehow.

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POTD: Post-Previsualization

Post-Previsualization
Seal Rocks, Oregon
2023

Previsualization is a common topic of discussion in photography. Often attributed to Ansel Adams, previsualization is, in short, the idea of “seeing” the final print in one’s mind before a photograph is taken. I think every photographer, even one snapping simple images with a cell phone, uses some degree of previsualization in the act of composing a shot. Obviously some will give more thought, consciously or subconsciously, to what they are capturing than others. I know when I am out photographing I use varying degrees of it–at least on a conscious level (who knows what’s going on behind the scenes in my head).

In the case of this photograph, I was easily envisioning in my mind how this pattern of pebbles in the cracks of the larger rock surface would look in black and white. I was sure the subtle tonalities of gray produced in the conversion to black and white would make for a pleasing image. But I was wrong, no matter how I tweaked the image in Photoshop to try and get it to line up with what I thought I could see in my head, all I got was a drab, bland image compared to presenting it in color. So that’s what I ended up doing, thus proving the value of post-previsualization, a practice which occurs all the time among creatives in order to adjust the realities of what is actually achievable with what was floating around in one’s head.

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POTD: Bare Tree #100

Bare Tree #100
Yachats, Oregon
2023

A milestone of sorts, my 100th bare tree image. But that’s just since I started numbering them. There were many unnumbered bare tree photos before that, including a portfolio of them published in Lenswork magazine way back in 2009. The first numbered bare tree POTD was of trees in China which I posted six years ago. Something tells me I’ll never grow tired of this subject matter. YMMV of course.

In today’s image, I can’t decide if that central hunk of driftwood most resembles a scapula or a moose antler.

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